Floating Downstream is a partly acoustic, laid back instrumental by Andrew Charman-Williams.
Music and Lyrics for Spiral Net and
Andrew Charman-Williams
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With Arms Wide Open
With Arms Wide Open by Andrew Charman-Williams is a fairly laid back soft rock/pop song.
Lyrics
In the dark and lonely night
I find myself searching for a light
And though my heart is heavy with regret
I know that I’ll rise above it yet
I will run to you
With arms wide open
And I will chase the blues
Until my heart is broken
I’ve been wandering through the storm
With nothing but a broken heart
But I’ll keep on moving forward
Till I find a brand new start
I will run to you
With arms wide open
And I will chase the blues
Until my heart is broken
And I’ll keep on climbing
Higher and higher
Till I reach the top
And see my heart’s desire
I will run to you
With arms wide open
And I will chase the blues
Until my heart is broken
I will run to you
With arms wide open
And I will chase the blues
Until my heart is broken
And when the night is over
And the storm has passed
I’ll look up to the heavens
And know that I’ve found my way at last. -
On the Drive Home
On the Drive Home is a song by Andrew Charman-Williams. It is a reasonably uptempo rock/pop song with a slight country rock feel.
Lyrics
I’m leaving work, the sun is setting low
Traffic’s heavy, but my mind is free to roam
I turn the music up, and let my thoughts take flight
On the drive home, everything feels just right
I’m leaving the city, leaving the stress behind
On the drive home, I finally feel alive
On the drive home, everything feels right
All my worries, they fade into the night
On the drive home, I finally feel free
To be myself, to just be me
I’m driving past the fields and the old farm land
The sky is orange and the clouds are shifting sand
I take a deep breath, and let my senses take in
On the drive home, it’s like a new beginning
I’m leaving the city, leaving the stress behind
On the drive home, I finally feel alive
On the drive home, everything feels right
All my worries, they fade into the night
On the drive home, I finally feel free
To be myself, to just be me
I’m heading home, to where my heart belongs
I’m leaving behind the chaos and the throngs
On the drive home, I’m at peace
With the world, with myself, I am released
I’m almost home, I can see the lights
I’m almost home, I can feel the love inside
I pull in the driveway, and turn off the car
On the drive home, I’ve traveled so far
I’m leaving the city, leaving the stress behind
On the drive home, I finally feel alive
On the drive home, everything feels right
All my worries, they fade into the night
On the drive home, I finally feel free
To be myself, to just be me
On the drive home, everything feels right
All my worries, they fade into the night
On the drive home, I finally feel free
To be myself, to just be me
On the drive home, I’ve come to know
All that I’ve been, and all that I’ll grow
On the drive home, I finally see
All that I am, and all that I’ll be.
On the drive home -
Mirror Mirror
Mirror Mirror is a laid back, predominantly acoustic song with folk, rock and pop influences by Andrew Charman-Williams.
Lyrics
In the mirror’s gentle gaze I stand,
Reflecting thoughts, a shifting land.
Eyes that hold both joy and pain,
A canvas where emotions reign.Oh, mirror, mirror, on the wall,
You hold my truth, you see it all.
With flaws and strengths still standing tall
mirror mirror don’t let me fallEach line etched by fleeting years,
Stories told, whispers of tears.
Smiles that dance like morning light,
And furrowed brows in silent night.Oh, mirror, mirror, on the wall,
You hold my truth, you see it all.
With flaws and strengths still standing tall
mirror mirror don’t let me fallOh, mirror, show me who I’ve been,
The battles fought, the growth within.
Every scar every rise and fall
reflect my spirit standing tallOh, mirror, mirror, on the wall,
You hold my truth, you see it all.
With flaws and strengths still standing tall
mirror mirror don’t let me fallIn the morning’s gentle light
in the shadows of the night
reflect the beauty the pain I bear
in your glass it’s all laid bareOh, mirror, mirror, on the wall,
You hold my truth, you see it all.
With flaws and strengths still standing tall
mirror mirror don’t let me fall -
Found My Peace
Found my Peace is a laid-back song by Andrew Charman-Williams
Lyrics
Sitting on my porch, watching the world go by
Feeling the sun on my skin, the wind in my eye
Peace and contentment is all that I need
No worries, no stress, just pure serenity
Cause I’ve found my peace, in the simple things
In the quiet moments, my heart sings
No need for fame or fortune or greed
Just the beauty of life, that’s all I need
The sound of the birds, the rustle of leaves
Nature’s symphony, it brings me to my knees
In this peaceful place, I’m free to be me
No mask, no pretense, just authenticity
Cause I’ve found my peace, in the simple things
In the quiet moments, my heart sings
No need for fame or fortune or greed
Just the beauty of life, that’s all I need
I’m just letting go of what I can’t control
Just seeking peace and healing my soul
Cause I’ve found my peace, in the simple things
In the quiet moments, my heart sings
No need for fame or fortune or greed
Just the beauty of life, that’s all I need
Sitting on my porch, watching the world go by
Feeling the sun on my skin, the wind in my eye
Peace and contentment is all that I need
No worries, no stress, just pure serenity. -
Eternal Aching
Eternal Aching is a slow to medium tempo rock song by Andrew Charman-Williams
Lyrics
In the darkness of the night
I hear your voice so clear
Calling out my name
But you’re not here
Oh, how I long for you
My love, my heart is breaking
I’m lost without you
In this eternal aching
I see you in my dreams
But when I wake, you’re gone
I’m holding on to nothing
But the memory of you
Oh, how I long for you
My love, my heart is breaking
I’m lost without you
In this eternal aching
I’ll wait for you forever
In this lonely place
I’ll keep your love inside me
Until we meet again
Oh, how I long for you
My love, my heart is breaking
I’m lost without you
In this eternal aching
Oh, how I long for you
My love, my heart is breaking
I’m lost without you
In this eternal aching
In the darkness of the night
I’ll hear your voice so clear
Calling out my name
But you’re not here
You’re not here
You’re not here
You’re not here -
Hamlel
Hamlel is a partly acoustic instrumental for Irish bouzouki and accordion by Andrew Charman-Williams.
Even though this is the version with revised audio there are still some audio issues so I will think about re-recording it at some point.
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Sadness – lyrics
Lyrics for Sadness by Andrew Charman-Williams that are currently unused. They may or may not form the basis to a song at some point.
Lyrics
(Verse 1)
In shadows cast by tear-stained skies,
A tender soul in sorrow lies.
Where heavy hearts bear silent pain,
And whispered woes like falling rain.(Pre-Chorus)
Yet in this somber, muted hue,
A glimmer lingers, faint but true.
For tears, a cleansing, healing stream,
To wash away the pain, it seems.(Chorus)
Oh, in sadness, we find strength,
Through every trial’s breadth and length.
With every tear, a chance to grow,
To rise above the darkest woe.(Verse 2)
In depths of darkness, sadness weaves,
A web of sorrow that never leaves.
Through valleys low, it gently creeps,
And in our hearts, its presence seeps.(Pre-Chorus)
Yet in this somber, muted hue,
A glimmer lingers, faint but true.
For tears, a cleansing, healing stream,
To wash away the pain, it seems.(Chorus)
Oh, in sadness, we find strength,
Through every trial’s breadth and length.
With every tear, a chance to grow,
To rise above the darkest woe.(Bridge)
And when the night seems long and cold,
And happiness feels far too old,
Remember, dear, through joy and strife,
In every tear, there’s hope and life.(Chorus)
Oh, in sadness, we find strength,
Through every trial’s breadth and length.
With every tear, a chance to grow,
To rise above the darkest woe.(Outro)
So let the tears fall gently now,
For they’ll not drown us anyhow.
For through this pain, we’ll find our way,
To brighter skies, a brand new day. -
What if You’re Wrong – lyrics
Lyrics for What if you’re wrong by Andrew Charman-Williams that are currently unused. They may or may not form the basis of a song at some point.
Lyrics
(Verse 1)
In the quiet of the night, with stars up in the sky,
I’m pondering the mysteries, the questions in my mind,
What if the path I’ve taken, isn’t leading me back home?
What if the truth I’ve known is just a tale I’ve always known?(Chorus)
Oh, what if you’re wrong and I am right?
What if we’re both lost in this moonlit light?
We chase our dreams, like birds in flight,
But what if you’re wrong, and I am right?(Verse 2)
Through fields of wildflowers, we danced without a care,
Your laughter was a melody that hung upon the air,
But the shadows of uncertainty now cloud my restless heart,
What if the love we built on dreams is bound to fall apart?(Chorus)
Oh, what if you’re wrong and I am right?
What if we’re both lost in this moonlit light?
We chase our dreams, like birds in flight,
But what if you’re wrong, and I am right?(Bridge)
Can we find common ground, where our souls align?
Or are we destined to forever question, to forever wonder why?(Verse 3)
The wind carries our whispers as we speak of what’s to come,
We’re drifting on the ocean, unsure of what we’ve become,
But in this tangled mess of doubts, we find our hearts entwined,
A glimmer of hope amidst the fear, a chance to heal, to realign.(Chorus)
Oh, what if you’re wrong and I am right?
What if we’re both lost in this moonlit light?
We chase our dreams, like birds in flight,
But what if you’re wrong, and I am right?(Outro)
In the embrace of the night, we’ll find our way,
Hand in hand, we’ll face the dawn of a brand new day,
For in the end, it’s not about who’s right or who’s wrong,
But the love we share that keeps us strong. -
Lazy Sunday Arvo
Lazy Sunday Arvo is a mainly acoustic instrumental by Andrew Charman-Williams.
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Oscar Schmidt Requinto
The requinto is a short scale relative of the flamenco/classical guitar from Mexico and Spain. Typical tuning is a fourth higher than guitar A2-D3-G3-C4-E4-A4. One of several instruments on the list for the next restringing session.
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Gladstone Guitars Irish bouzouki
Irish bouzouki made by Gladstone Guitars from Australia.
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Artist Guitars Tenor Guitar
Although called a guitar tenor guitars also have a lot in common with the tenor banjo or mandolin family being tuned in 5ths. I have it tuned CGCG or CGDA though I also like the low tuning GDGD or GDAE.
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Weissenborn inspired lap steel guitar
Weissenborn inspired lap steel guitar made from Blackwood by Andrew Charman-Williams
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kit built dreadnought guitar
Andrew Charman-Williams dreadnought guitar – walnut back built using a kit
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kit built OOO guitar
Andrew Charman-Williams OOO guitar Rosewood back and sides built using a kit
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Regal Tiple
The tiple has many different variations depending on which part of America (mainly South America) they are from. The Regal tiple is of the North American variety developed by Martin in around 1919. It is similar in size to a tenor ukulele but has ten steel strings arranged in four courses. Typical tuning is A4/A3, D4/D3/D4, F#4/F#3/F#4, B3/B3. This tiple is currently unplayable as it needs repairs to the headstock.
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banjo mandolin
An old banjo mandolin by an unknown maker. Head is splitting along one edge so it could do with replacement but as it is mainly a wall-hanger it is not a priority.
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Balalaika
The balalaika is an instrument of Russian origin. It has 3 strings with a typical tuning of E4, E4, A4.
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Phin
The phin is an instrument from Thailand. It has 3 strings with a typical tuning of E A E. Like dulcimers it has diatonic rather than chromatic frets.
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unknown single string instrument
Looks a bit like an ektara or tumbi but has the second resonator at the back.
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unknown bowed instrument
I have forgotten what this is so will have to find out. It is a single string instrument for use with a bow.
Possibly a rebab or rebaba which do have a wide range of shapes depending on which country they are from.
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Oud
The oud is of middle-eastern origin and is a precursor to the lute. This one has 11 strings arranged in 6 courses. Common tunings are D2, G2/G2, A2/A2, D3/D3, G3/G3, C4/C4 or C2, F2/F2 A2/A2, D3/D3, G3/G3, C4/C4. Unlike lutes ouds are fretless.
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Kora
The kora is an instrument from West Africa with the body made of a gourd covered in animal skin. It has 21 strings and has similarities to a harp in that strings are not fretted, however playing techniques are very different to the harp. This one has guitar tuners rather than the traditional leather rings.
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Lokanga voatavo (also known as Tzetze or zeze)
I think this is a lokanga voatavo (lokango voatovo) or tzetze or zeze which is a small African instrument. This one has 3 strings on a stick attached to a gourd.
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Sanxian
The sanxian is a traditional fretless 3 string instrument from China with snake skin used as the head.
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Baglama Saz
The saz (or bağlama) is an instrument of middle-eastern origin. Naming conventions vary a bit but this larger saz is often known as a bağlama. I also have a smaller one known as a cura saz.
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Cura Saz
The cura saz is an instrument of middle-eastern origin, especially the areas around Turkey. Naming conventions vary a bit but this small saz is often known as a cura saz. I also have a larger one known as a bağlama saz.
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Pipa
The pipa or Chinese lute is a traditional Chinese instrument with four strings. Typical tuning is A2, D3, E3, A3. One of the tuning pegs on this pipa is broken and needs repair or replacement.
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Sitar
The sitar is an instrument of Indian origin.
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Andrew Tatnell mandola
A mandola made by Andrew Tatnell mandolins from Australia. It has a King Billy pine top, tiger myrtle back, sides and neck, gidgee fretboard, ebony bridge and a K&K pickup.
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Limits in the Key of 50Hz
(Industrial Decay)
Limits in the Key of 50 Hz (Industrial Decay) by Spiral Net (written by Andrew Charman-Williams) is a piece composed with certain guidelines in place. It takes influences from ambient, downtempo, minimalism and other styles and has elements of an industrial feel to it. It is not in standard western equal temperament tuning but in a scale based on 50 Hz which is between G and Ab and is the frequency of electricity in Australia.
It was created from one single, fairly short sound sample with the additional limitations of the sample only being able to be modified by stretching, shrinking, reversing or trimming the sample and by the use of EQ. The sounds are tuned to a harmonic series based on a 50Hz fundamental with all harmonic series notes up to 1600 Hz. Following on from those limits means no synthesizer or other sound source was used with it just being direct manipulation of the sound sample.
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Locria and Beyond
Locria and Beyond by Spiral Net (written by Andrew Charman-Williams) explores the locrian mode before moving to the super locrian and then ultra locrian before settling again in locrian. Partly minimalist in nature this instrumental piece attempts to explore the unsettled and unsettling nature of locrian.
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Lament III
Lament III by Spiral Net (written by Andrew Charman-Williams) is the third in a series based on the lament bass. It is somewhere between ambient and downtempo with a slightly disturbing undertone.
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Waves Upon Waves
Waves Upon Waves by Spiral Net (written by Andrew Charman-Williams) is a downtempo/ambient electronic instrumental.
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Lament I
Lament I by Spiral Net (written by Andrew Charman-Williams) is the first in a series inspired by but not restricted to the lament bass. It is an electronic ambient instrumental.
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Lament II
Lament II by Spiral Net (written by Andrew Charman-Williams) is the second in a series of pieces inspired by but not limited to the lament bass. Lament II is an ambient/downtempo electronic instrumental piece.
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Peaceful Morning Disturbed
Peaceful Morning Disturbed by Spiral Net (written by Andrew Charman-Williams is a downtempo/ambient instrumental. A peaceful morning in a rural setting disturbed by the gunshots of the nearby farmers.
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Ten Pentas
Ten Pentas by Spiral Net (written by Andrew Charman-Williams) is an exploration of ten different pentatonic scales that can be created using certain rules (2 x minor 3rd, 3 x major 2nd). It uses some techniques of serialism, math & aleatoric approaches to create an ambient piece.
