A selection of songs and instrumentals by Andrew Charman-Williams or as Spiral Net. Spiral Net produces mainly electronic music either instrumental or with virtual or computer generated vocals while songs and instrumentals using my voice and/or real instruments are normally under my name..
The full selection will appear below but to narrow the selection down the following categories can be used though at the moment there is a lot of doubling up so the same content may show in multiple places..
I am who I am is an electronic rock song featuring Natalie and Hayden from Synthesizer V on vocals. It was written by Andrew Charman-Williams and produced by Spiral Net.
Lyrics
I like what I like I want what I want I want what I want I like what I like
I need what I need I have what I have I have what I have I need what I need
I was who I was I am who I am I am who I am I was who I was
I am who I am I was who I was I was who I was I am who I am
Dead End Street is a reasonably uptempo soft rock song by Andrew Charman-Williams.
Lyrics
I’m walking down this empty road A faded line, where dreams corrode All the street lights have burned out In this town where hope’s in doubt
It feels like I’ve been here for so long Stuck in a place where I don’t belong But I’ll keep pushing through the night I’ll find a way to make it right
I’m on a dead-end street, a dead-end street Get me off this dead-end street I’m on a dead-end street, a dead-end street Get me off this dead-end street
The shadows whisper tales of despair Broken dreams and hearts laid bare But I won’t let this street define The path I walk, the things I’ll find
Feels like I’ve hit a dead-end sign, But I won’t let my spirit decline, Through the echoes of the city’s beat, I’ll rise again, won’t face defeat.
I’m on a dead-end street, a dead-end street Get me off this dead-end street I’m on a dead-end street, a dead-end street Get me off this dead-end street
In the whispers of the midnight air, I’ll face my fears, I won’t despair, On this road where hopes retreat, I’ll carve a path, won’t face defeat.
I’m on a dead-end street, a dead-end street Get me off this dead-end street I’m on a dead-end street, a dead-end street Get me off this dead-end street
I’m on a dead-end street, a dead-end street Get me off this dead-end street I’m on a dead-end street, a dead-end street Get me off this dead-end street
Love and Loss is a song written by Andrew Charman-Williams and produced by Spiral Net and features Hayden & Natalie from Synthesizer V on vocals.
Unlike most of my songs Love and Loss has two different versions with one as Spiral Net and the other as Andrew Charman-Williams. Here is the Andrew Charman-Williams version which predominantly uses real instruments and vocals rather than virtual or electronic.
Lyrics
I search for your face memories of you time cannot erase your laughter, touch, smile gone but with me all the while
love and loss such a cost hearts torn apart never fully lost
whispers call out your name never the same the fire that burned now ashes, lesson learned
love and loss such a cost hearts torn apart never fully lost
tears falling like rain drowning in pain the love we once knew gone but forever true
love and loss such a cost hearts torn apart never fully lost
The Candle by Spiral Net (written by Andrew Charman-Williams) and featuring vocals by Hayden & Solaria of Synthesizer V. This is an older poem (Waxen Form) that was set to music and was used to introduce myself to the use of Synthesizer V vocals.
Lyrics
the wick runs short the candle fades then flickers and goes out
how many people has she warmed how many shared her light
though with the wind and with the rain her flame nearly died
she overcame everything until finally there is no more
A modern interpretation of Flow My Tears by John Dowland from “The Second Booke of Songs or Ayres” from 1600. Arranged by Andrew Charman-Williams and produced by Spiral Net featuring vocals from Hayden & Natalie of Synthesizer V.
This instrumental by Spiral Net is based on a couple of 3/2 tunes from Dancing Master volume 2 from around 1710-1718 called The Merry Conclusion (or The Assembly) and Camberwell. These are not treated in a traditional manner but as melodies for electronic music.