

Mandolin made by Peter Coombe from Australia. This model is the classical flattop mandolin and has red spruce top, jarrah back and sides and opal inlays.
Mandolin made by Peter Coombe from Australia. This model is the classical flattop mandolin and has red spruce top, jarrah back and sides and opal inlays.
A selection of songs and instrumentals by Andrew Charman-Williams or as Spiral Net. Spiral Net produces mainly electronic music either instrumental or with virtual or computer generated vocals while songs and instrumentals using my voice and/or real instruments are normally under my name..
As well as many of them (except for cover songs) being available here, music videos of Andrew Charman-Williams are available at https://www.youtube.com/@andrewcharman-williams and https://www.youtube.com/@spiralnet for Spiral Net or a selection including Andrew Charman-Williams and Spiral Net on Facebook.
Audio is available at https://andrewcharman-williams.bandcamp.com and https://spiral-net.bandcamp.com/ for Spiral Net. A smaller range is available on SoundCloud under each artist’s name.
The full selection will appear below but to narrow the selection down the following categories can be used though at the moment there is a lot of doubling up so the same content may show in multiple places..
Songs either by Andrew Charman-Williams or Spiral Net
Instrumentals either by Andrew Charman-Williams or Spiral Net
Spiral Net music
Lyrics which includes most of the songs from above as well as lyrics where no recordings have been provided or that are unused
I am who I am is an electronic rock song featuring Natalie and Hayden from Synthesizer V on vocals. It was written by Andrew Charman-Williams and produced by Spiral Net.
I like what I like
I want what I want
I want what I want
I like what I like
I need what I need
I have what I have
I have what I have
I need what I need
I was who I was
I am who I am
I am who I am
I was who I was
I am who I am
I was who I was
I was who I was
I am who I am
Shades of Grey by Andrew Charman-Williams is a ballad with acoustic guitar and a string arrangement.
In a world of black and white,
Everything, from dark to light,
Every shade and every hue,
In your love, I found what’s true.
Shades of grey, in love we sway,
Lost in your eyes, come what may,
In this world of ours please stay
Shades of grey, never fade away.
Through the storms and sunny days,
In your arms, I’ll always stay,
Life’s a canvas, we’ll paint it bright,
Our love’s colours will ignite.
Shades of grey, in love we sway,
Lost in your eyes, come what may,
In this world of ours please stay
Shades of grey, never fade away.
Reds and blues, in love’s embrace,
With every shade, our hearts keep pace,
Through the darkness, into the day,
In your love, all fear will fade away.
In this world of black and white,
You and I, we’ll shine so bright,
Hand in hand, we’ll find our way,
In the shades of grey, we’ll always stay.
Shades of grey, in love we sway,
Lost in your eyes, come what may,
In this world of ours please stay
Shades of grey, never fade away.
Shades of grey, in love we sway,
Lost in your eyes, come what may,
In this world of ours please stay
Shades of grey, never fade away.
Dead End Street is a reasonably uptempo soft rock song by Andrew Charman-Williams.
I’m walking down this empty road
A faded line, where dreams corrode
All the street lights have burned out
In this town where hope’s in doubt
It feels like I’ve been here for so long
Stuck in a place where I don’t belong
But I’ll keep pushing through the night
I’ll find a way to make it right
I’m on a dead-end street, a dead-end street
Get me off this dead-end street
I’m on a dead-end street, a dead-end street
Get me off this dead-end street
The shadows whisper tales of despair
Broken dreams and hearts laid bare
But I won’t let this street define
The path I walk, the things I’ll find
Feels like I’ve hit a dead-end sign,
But I won’t let my spirit decline,
Through the echoes of the city’s beat,
I’ll rise again, won’t face defeat.
I’m on a dead-end street, a dead-end street
Get me off this dead-end street
I’m on a dead-end street, a dead-end street
Get me off this dead-end street
In the whispers of the midnight air,
I’ll face my fears, I won’t despair,
On this road where hopes retreat,
I’ll carve a path, won’t face defeat.
I’m on a dead-end street, a dead-end street
Get me off this dead-end street
I’m on a dead-end street, a dead-end street
Get me off this dead-end street
I’m on a dead-end street, a dead-end street
Get me off this dead-end street
I’m on a dead-end street, a dead-end street
Get me off this dead-end street
Love and Loss is a song written by Andrew Charman-Williams and produced by Spiral Net and features Hayden & Natalie from Synthesizer V on vocals.
Unlike most of my songs Love and Loss has two different versions with one as Spiral Net and the other as Andrew Charman-Williams. Here is the Andrew Charman-Williams version which predominantly uses real instruments and vocals rather than virtual or electronic.
I search for your face
memories of you time cannot erase
your laughter, touch, smile
gone but with me all the while
love and loss
such a cost
hearts torn apart
never fully lost
whispers call out your name
never the same
the fire that burned
now ashes, lesson learned
love and loss
such a cost
hearts torn apart
never fully lost
tears falling like rain
drowning in pain
the love we once knew
gone but forever true
love and loss
such a cost
hearts torn apart
never fully lost
The Candle by Spiral Net (written by Andrew Charman-Williams) and featuring vocals by Hayden & Solaria of Synthesizer V. This is an older poem (Waxen Form) that was set to music and was used to introduce myself to the use of Synthesizer V vocals.
the wick runs short the
candle fades
then flickers
and goes out
how many people
has she warmed
how many
shared her light
though with the wind
and with the rain
her flame
nearly died
she overcame
everything
until finally
there is no more
now she has
no use no
beauty she
lies still cold
darkness surrounds her
is this the
end or the
beginning
of something new
A modern interpretation of Flow My Tears by John Dowland from “The Second Booke of Songs or Ayres” from 1600. Arranged by Andrew Charman-Williams and produced by Spiral Net featuring vocals from Hayden & Natalie of Synthesizer V.
This instrumental by Spiral Net is based on a couple of 3/2 tunes from Dancing Master volume 2 from around 1710-1718 called The Merry Conclusion (or The Assembly) and Camberwell. These are not treated in a traditional manner but as melodies for electronic music.
Almost Spring is an acoustic instrumental for mandolin and Irish bouzouki by Andrew Charman-Williams.
Floating Downstream is a partly acoustic, laid back instrumental by Andrew Charman-Williams.
With Arms Wide Open by Andrew Charman-Williams is a fairly laid back soft rock/pop song.
In the dark and lonely night
I find myself searching for a light
And though my heart is heavy with regret
I know that I’ll rise above it yet
I will run to you
With arms wide open
And I will chase the blues
Until my heart is broken
I’ve been wandering through the storm
With nothing but a broken heart
But I’ll keep on moving forward
Till I find a brand new start
I will run to you
With arms wide open
And I will chase the blues
Until my heart is broken
And I’ll keep on climbing
Higher and higher
Till I reach the top
And see my heart’s desire
I will run to you
With arms wide open
And I will chase the blues
Until my heart is broken
I will run to you
With arms wide open
And I will chase the blues
Until my heart is broken
And when the night is over
And the storm has passed
I’ll look up to the heavens
And know that I’ve found my way at last.
On the Drive Home is a song by Andrew Charman-Williams. It is a reasonably uptempo rock/pop song with a slight country rock feel.
I’m leaving work, the sun is setting low
Traffic’s heavy, but my mind is free to roam
I turn the music up, and let my thoughts take flight
On the drive home, everything feels just right
I’m leaving the city, leaving the stress behind
On the drive home, I finally feel alive
On the drive home, everything feels right
All my worries, they fade into the night
On the drive home, I finally feel free
To be myself, to just be me
I’m driving past the fields and the old farm land
The sky is orange and the clouds are shifting sand
I take a deep breath, and let my senses take in
On the drive home, it’s like a new beginning
I’m leaving the city, leaving the stress behind
On the drive home, I finally feel alive
On the drive home, everything feels right
All my worries, they fade into the night
On the drive home, I finally feel free
To be myself, to just be me
I’m heading home, to where my heart belongs
I’m leaving behind the chaos and the throngs
On the drive home, I’m at peace
With the world, with myself, I am released
I’m almost home, I can see the lights
I’m almost home, I can feel the love inside
I pull in the driveway, and turn off the car
On the drive home, I’ve traveled so far
I’m leaving the city, leaving the stress behind
On the drive home, I finally feel alive
On the drive home, everything feels right
All my worries, they fade into the night
On the drive home, I finally feel free
To be myself, to just be me
On the drive home, everything feels right
All my worries, they fade into the night
On the drive home, I finally feel free
To be myself, to just be me
On the drive home, I’ve come to know
All that I’ve been, and all that I’ll grow
On the drive home, I finally see
All that I am, and all that I’ll be.
On the drive home
Mirror Mirror is a laid back, predominantly acoustic song with folk, rock and pop influences by Andrew Charman-Williams.
In the mirror’s gentle gaze I stand,
Reflecting thoughts, a shifting land.
Eyes that hold both joy and pain,
A canvas where emotions reign.
Oh, mirror, mirror, on the wall,
You hold my truth, you see it all.
With flaws and strengths still standing tall
mirror mirror don’t let me fall
Each line etched by fleeting years,
Stories told, whispers of tears.
Smiles that dance like morning light,
And furrowed brows in silent night.
Oh, mirror, mirror, on the wall,
You hold my truth, you see it all.
With flaws and strengths still standing tall
mirror mirror don’t let me fall
Oh, mirror, show me who I’ve been,
The battles fought, the growth within.
Every scar every rise and fall
reflect my spirit standing tall
Oh, mirror, mirror, on the wall,
You hold my truth, you see it all.
With flaws and strengths still standing tall
mirror mirror don’t let me fall
In the morning’s gentle light
in the shadows of the night
reflect the beauty the pain I bear
in your glass it’s all laid bare
Oh, mirror, mirror, on the wall,
You hold my truth, you see it all.
With flaws and strengths still standing tall
mirror mirror don’t let me fall
Found my Peace is a laid-back song by Andrew Charman-Williams
Sitting on my porch, watching the world go by
Feeling the sun on my skin, the wind in my eye
Peace and contentment is all that I need
No worries, no stress, just pure serenity
Cause I’ve found my peace, in the simple things
In the quiet moments, my heart sings
No need for fame or fortune or greed
Just the beauty of life, that’s all I need
The sound of the birds, the rustle of leaves
Nature’s symphony, it brings me to my knees
In this peaceful place, I’m free to be me
No mask, no pretense, just authenticity
Cause I’ve found my peace, in the simple things
In the quiet moments, my heart sings
No need for fame or fortune or greed
Just the beauty of life, that’s all I need
I’m just letting go of what I can’t control
Just seeking peace and healing my soul
Cause I’ve found my peace, in the simple things
In the quiet moments, my heart sings
No need for fame or fortune or greed
Just the beauty of life, that’s all I need
Sitting on my porch, watching the world go by
Feeling the sun on my skin, the wind in my eye
Peace and contentment is all that I need
No worries, no stress, just pure serenity.
Eternal Aching is a slow to medium tempo rock song by Andrew Charman-Williams
In the darkness of the night
I hear your voice so clear
Calling out my name
But you’re not here
Oh, how I long for you
My love, my heart is breaking
I’m lost without you
In this eternal aching
I see you in my dreams
But when I wake, you’re gone
I’m holding on to nothing
But the memory of you
Oh, how I long for you
My love, my heart is breaking
I’m lost without you
In this eternal aching
I’ll wait for you forever
In this lonely place
I’ll keep your love inside me
Until we meet again
Oh, how I long for you
My love, my heart is breaking
I’m lost without you
In this eternal aching
Oh, how I long for you
My love, my heart is breaking
I’m lost without you
In this eternal aching
In the darkness of the night
I’ll hear your voice so clear
Calling out my name
But you’re not here
You’re not here
You’re not here
You’re not here
Hamlel is a partly acoustic instrumental for Irish bouzouki and accordion by Andrew Charman-Williams.
Even though this is the version with revised audio there are still some audio issues so I will think about re-recording it at some point.
Lyrics for Sadness by Andrew Charman-Williams that are currently unused. They may or may not form the basis to a song at some point.
(Verse 1)
In shadows cast by tear-stained skies,
A tender soul in sorrow lies.
Where heavy hearts bear silent pain,
And whispered woes like falling rain.
(Pre-Chorus)
Yet in this somber, muted hue,
A glimmer lingers, faint but true.
For tears, a cleansing, healing stream,
To wash away the pain, it seems.
(Chorus)
Oh, in sadness, we find strength,
Through every trial’s breadth and length.
With every tear, a chance to grow,
To rise above the darkest woe.
(Verse 2)
In depths of darkness, sadness weaves,
A web of sorrow that never leaves.
Through valleys low, it gently creeps,
And in our hearts, its presence seeps.
(Pre-Chorus)
Yet in this somber, muted hue,
A glimmer lingers, faint but true.
For tears, a cleansing, healing stream,
To wash away the pain, it seems.
(Chorus)
Oh, in sadness, we find strength,
Through every trial’s breadth and length.
With every tear, a chance to grow,
To rise above the darkest woe.
(Bridge)
And when the night seems long and cold,
And happiness feels far too old,
Remember, dear, through joy and strife,
In every tear, there’s hope and life.
(Chorus)
Oh, in sadness, we find strength,
Through every trial’s breadth and length.
With every tear, a chance to grow,
To rise above the darkest woe.
(Outro)
So let the tears fall gently now,
For they’ll not drown us anyhow.
For through this pain, we’ll find our way,
To brighter skies, a brand new day.
Lyrics for What if you’re wrong by Andrew Charman-Williams that are currently unused. They may or may not form the basis of a song at some point.
(Verse 1)
In the quiet of the night, with stars up in the sky,
I’m pondering the mysteries, the questions in my mind,
What if the path I’ve taken, isn’t leading me back home?
What if the truth I’ve known is just a tale I’ve always known?
(Chorus)
Oh, what if you’re wrong and I am right?
What if we’re both lost in this moonlit light?
We chase our dreams, like birds in flight,
But what if you’re wrong, and I am right?
(Verse 2)
Through fields of wildflowers, we danced without a care,
Your laughter was a melody that hung upon the air,
But the shadows of uncertainty now cloud my restless heart,
What if the love we built on dreams is bound to fall apart?
(Chorus)
Oh, what if you’re wrong and I am right?
What if we’re both lost in this moonlit light?
We chase our dreams, like birds in flight,
But what if you’re wrong, and I am right?
(Bridge)
Can we find common ground, where our souls align?
Or are we destined to forever question, to forever wonder why?
(Verse 3)
The wind carries our whispers as we speak of what’s to come,
We’re drifting on the ocean, unsure of what we’ve become,
But in this tangled mess of doubts, we find our hearts entwined,
A glimmer of hope amidst the fear, a chance to heal, to realign.
(Chorus)
Oh, what if you’re wrong and I am right?
What if we’re both lost in this moonlit light?
We chase our dreams, like birds in flight,
But what if you’re wrong, and I am right?
(Outro)
In the embrace of the night, we’ll find our way,
Hand in hand, we’ll face the dawn of a brand new day,
For in the end, it’s not about who’s right or who’s wrong,
But the love we share that keeps us strong.
Lazy Sunday Arvo is a mainly acoustic instrumental by Andrew Charman-Williams.
The requinto is a short scale relative of the flamenco/classical guitar from Mexico and Spain. Typical tuning is a fourth higher than guitar A2-D3-G3-C4-E4-A4. One of several instruments on the list for the next restringing session.
Irish bouzouki made by Gladstone Guitars from Australia.
Although called a guitar tenor guitars also have a lot in common with the tenor banjo or mandolin family being tuned in 5ths. I have it tuned CGCG or CGDA though I also like the low tuning GDGD or GDAE.
Weissenborn inspired lap steel guitar made from Blackwood by Andrew Charman-Williams
Andrew Charman-Williams dreadnought guitar – walnut back built using a kit
Andrew Charman-Williams OOO guitar Rosewood back and sides built using a kit
The tiple has many different variations depending on which part of America (mainly South America) they are from. The Regal tiple is of the North American variety developed by Martin in around 1919. It is similar in size to a tenor ukulele but has ten steel strings arranged in four courses. Typical tuning is A4/A3, D4/D3/D4, F#4/F#3/F#4, B3/B3. This tiple is currently unplayable as it needs repairs to the headstock.
An old banjo mandolin by an unknown maker. Head is splitting along one edge so it could do with replacement but as it is mainly a wall-hanger it is not a priority.
The balalaika is an instrument of Russian origin. It has 3 strings with a typical tuning of E4, E4, A4.
The phin is an instrument from Thailand. It has 3 strings with a typical tuning of E A E. Like dulcimers it has diatonic rather than chromatic frets.
Looks a bit like an ektara or tumbi but has the second resonator at the back.
I have forgotten what this is so will have to find out. It is a single string instrument for use with a bow.
Possibly a rebab or rebaba which do have a wide range of shapes depending on which country they are from.
The oud is of middle-eastern origin and is a precursor to the lute. This one has 11 strings arranged in 6 courses. Common tunings are D2, G2/G2, A2/A2, D3/D3, G3/G3, C4/C4 or C2, F2/F2 A2/A2, D3/D3, G3/G3, C4/C4. Unlike lutes ouds are fretless.
The kora is an instrument from West Africa with the body made of a gourd covered in animal skin. It has 21 strings and has similarities to a harp in that strings are not fretted, however playing techniques are very different to the harp. This one has guitar tuners rather than the traditional leather rings.
I think this is a lokanga voatavo (lokango voatovo) or tzetze or zeze which is a small African instrument. This one has 3 strings on a stick attached to a gourd.